Brett Puryear is a fiction writer from Chattanooga, Tennessee, operating out of the great state of Montana.
His work appears or is forthcoming in The Iowa Review, CutBank, BULL, Wildsam Field Guides, Feign, Writer’s Foundry Review and elsewhere, with bylines in Field & Stream, Men’s Journal and Sporting Classics. He also writes the Substack “Pedal Steel,” a growing collection of freewheeling essays on music, movies and books—and occasional short fiction.
Brett holds an MFA in Fiction from the University of Montana, in Missoula, where he lives with his family. He’s finished a debut novel, a literary horror set in the East Tennessee mountains, and is represented by James Mustelier at the Bent Agency.
selected short work
Short fiction in The Iowa Review vol. 46 issue 3 | church kids’ grim campfire tales and parents who bump in the night
A profile on County Highway’s Panamerica Press, the legendary Gary Fisketjon, and Lee Clay Johnson’s Southern Gothic barnstormer Bloodline
Short fiction previously published in Fiddleblack issue 20 | a hard-luck drive from Tennessee to Florida, wayward lust, and whatever they did to Brent
A romp on sentence-craft, MFA programs, and the burgeoning online literary counterculture for the popular lit crit newsletter The Republic of Letters
HURRICANE SéANCE
Short fiction forthcoming in Feign | Old Floridian friends under pressure, in an attempt to reach that which lies beyond, during a midnight hurricane party
Essays and know-how on fly fishing and travel in Western Montana for Wildsam Field Guides | read a sample of Brett’s writing here.
A rollicking essay on David Lynch, Barry Gifford, Train Dreams and Elvis Presley in Brett’s own “Pedal Steel”
Short fiction in BULL | a couple from rural Tennessee drives West to see the country, get clean, and encounter a tragedy
Short fiction in CutBank issue 91 | Southern dogs and deep-fried turtle and a ghost-rabbit | read an excerpt or buy the issue
Short fiction in The Writer’s Foundry Review issue 2 | fast love and a broken-down Bronco and petty crime in the southern Colorado desert
An essay on Bob Dylan’s “Love and Theft,” a late-period masterpiece, and that Mystery Train and its Phantom Conductor
Contact: hello@brettpuryear.com